Director who met the Flemish theater Grotowski

Theater director Franz Mariinen handed away yesterday on the age of 79. Throughout his half-century profession, he’s thought of one of many representatives of the Flemish avant-garde, who sought to radically break with the musty post-war theater.

Mariinen studied directing at RITCS in Brussels. Whereas nonetheless a pupil, he started directing on the Mechels Theater of Miniatures in his hometown. In 1966, Marinen met Polish theater innovator Jerzy Grotowski throughout a seminar in Brussels. A 12 months later, he left for Poland for an eight-month internship on the Theaterlaboratorium in Wroclaw. This modified his life, as Mariinen later mentioned: “That is the place the primary cracks appeared in my bourgeois Flemish soul.”

After his return, he, like handed away in 2019 Tone Brulin to current Grotowski’s methodology to Flemish and Dutch theater firms. However Mariinen typically met resistance from classically skilled actors.

There was nothing left however flights to the USA. There, round 1970, the counterculture was in full bloom, and his concepts of a collective method of making theater primarily based on experiment and improvisation unfold. He taught there and based the Digital camera Obscura firm, with which he made 5 items that traveled the world. Based on theater journal And so forth it most clearly expresses the essence of his theatre: “the authenticity of the actor, his bodily effort and direct, even crude type of communication.”

Little success in FAC

Upon his return to Europe in 1977, Mariinen turned the primary director of the Ro Theater in Rotterdam. In 1993 he was appointed intendant of the Royal Flemish Theater in Brussels. Throughout this era, KVS was fighting a prolonged renovation venture that consumed a whole lot of vitality and precipitated critical monetary issues. However the time period Mariinen was additionally not extremely paid artistically. Upon retirement in 2000 wrote this paper: “He left behind, like an empty snakeskin, a popularity as an iconoclast and baroque virtuoso. Now he served the texts of the good masters with nice respect, however typically with out frank imaginative and prescient.”

In later years, Mariinen typically stayed at his nation home in Cyprus. He ran Music Corridor in 2003. The little Prince. At Het Nationaal Toneel in The Hague, he made productions about his idols: pianist Glenn Gould and director Pier Paolo Pasolini.

In 2012, Mariinen returned to Flanders, not coincidentally to Flanders, to the T Arsenal Theatre, the successor to the Mechel Theater of Miniatures. There he led Winterafter John Foss and with actors Lucas van den Eynde and Lotte Heitenis, and scarlet.

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